Thanks to a careful reading of a key passage in Sextus Empiricus’s Outlines of Pyrrhonism (PH II 134-170), this paper offers a sort of running commentary that makes clear some crucial aspects of the Pyrrhonian attack against any kind of subsistence or ὑπόστασις of the ἀπόδειξις. This notion (fundamental for the dogmatic approach to epistemological topics) will be examined in its main logical guidelines as well as in some of its historical declinations, especially from the point of view of ancient (...) Stoicism and its doctrine about the so-called non-demonstrable arguments. (shrink)

Volumi e saggi Jay Schulkin, Reflections on the Musical Mind. An Evolutionary Perspective , [Michele Gardini, p. 202] • Hans Belting, Faces. Eine Geschichte des Gesichts [Pietro Conte, p. 205] • Aby Warburg, Il primo Rinascimento italiano. Sette conferenze inedite [Alice Barale, p. 207] • Laura Anna Macor , Reading Schiller: Ethics, Aesthetics and Religion [Lorenzo Leonardo Pizzichemi, p. 209] • Bernard Lafargue, Stéphanie Cardoso , Figures de l’art n° 25, Philosophie du design [Claire Azéma, Anne Beyaert Geslin, Stéphanie Cardoso, (...) Cécile Croce, p. 212] • Helmut Leder et al., What Makes an Art Expert? Emotion and Evaluation in Art Appreciation , “Cognition and Emotion”, 2013, 28, pp. 1-11; Enric Munar et al., Aesthetic Appreciation: Event-Related Field and Time-Frequency Analyses , “Frontiers in Human Neurosciences”, 2012, 5, pp. 1-11; Gerald C. Cupchik et al., Viewing Artworks: Contributions of Cognitive Control and Perceptual Facilitation to Aesthetic Experience , “Brain and Cognition”, 2009, 70, pp. 84-91 [Gianluca Consoli, p. 217]. (shrink)

Books Christy Mag Uidhir, Art andObjects [Elisa Caldarola, p. 182] • Julie Jaffee Nagel, Melodies of the Mind. Connections Between Psychoanalisis and Music [Michele Gardini, p. 185] • Dominic McIver Lopes, Beyond Art [Filippo Focosi, p. 187] • Annemarie Gethmann-Siefert, Herta Nagl-Docekal, Erzsébet Ròsza, Elisabeth Weisser-Lohmann, Hegels Ästhetik als Theorie der Moderne [Lorenzo Leonardo Pizzichemi, p. 190] Comments Toward an Integrated Science of Aesthetics. Getting Rid of the Main Misunderstandings in Evolutionary Aesthetics [Mariagrazia Portera, p. 194].

Renaud Barbaras, La vie lacunaire [Thomas Vercruysse, p. 324] • Wolfram Hogrebe, Der implizite Mensch [Federica Ceranovi, p. 334] • Emmanuel Alloa, Das durchscheinende Bild [Maria Teresa Costa, p. 344] • Alexander R. Galloway, The Interface Effect [Angela Maiello, p. 346] • Francisco José Ramos, La significación del lenguaje poético [Michele Gardini, p. 348] • Alessandro Arbo, Entendre comme. Wittgenstein et l’esthétique musicale [Leonardo V. Distaso, p. 351.

Titoli e abstracts di testi recentemente pubblicati, segnalati dalla Redazione di Nóema per il loro rilievo scientifico e l'originalità della loro proposta tematica.

Tonia Cancrini, Un Tempo per l'Amore. Eros, dolore, odio ; Fabio Macioce, La vulnerabilità di gruppo. Funzione e limiti di un concetto controverso ; Valeria Bizzari e Raffaele Vanacore, a cura di, Il corpo vivo nel mondo. Introduzione al pensiero di Thomas Fuchs ; Gertrude Elizabeth Margaret Anscombe, Scritti di etica.

Estratto da Jean-Paul Sartre, "Critica della ragione dialettica, Tomo II: L’intelligibilità della storia", trad. it. di F. Cambria, Christian Marinotti Edizioni, Milano 2006, pp. 409-426.Testo nella traduzione italianaTesto originale francese.